(remastered 2019) | Don't Get Around Much Anymore

The song endures because it legitimizes the choice to withdraw. Whether it’s a widow hesitant to stir up happy memories or someone simply preferring their own company to the "crowded floor," Ellington’s melody provides a dignified backdrop for solitude.

The Sound of Staying Put: Re-Encountering Duke Ellington’s "Don't Get Around Much Anymore" Don't Get Around Much Anymore (Remastered 2019)

: Ellington’s sparse, rhythmic piano work that frames the beginning and end of the piece. The song endures because it legitimizes the choice

: The "tongue-in-cheek" delivery of the melody that balances deep longing with a sense of sophisticated resilience. The Universal Choice of "Staying In" Don't Get Around Much Anymore (Remastered 2019)

: Lawrence Brown’s trombone solo on the bridge, which feels more present and "vocal" than ever.