Guitar Player - Full Year 2018 Collection -

Toward the end of 2018, Guitar Player looked toward the diversity of the instrument. The collection highlighted the percussive, complex styles of acoustic players like , while the "New Gear" guides were flooded with high-end boutique pedals. The year concluded with a focus on St. Vincent (Annie Clark) , symbolizing a break from the "guitar hero" tropes of the past. Her signature Ernie Ball Music Man guitar was a centerpiece of the year-end discussion, proving that the future of the instrument lay in bold aesthetics and genre-bending utility.

The year began under the shadow of loss and the celebration of longevity. The early 2018 issues focused heavily on the technical perfection of , whose meticulous approach to tone remained the gold standard for the "gear-head" community. However, the narrative was soon dominated by the passing of Eddie Van Halen’s peers and the introspective look at the blues-rock lineage. Features on Joe Bonamassa highlighted a "preservationist" era, where the magazine obsessed over the provenance of 1959 Les Pauls and the "magic" of Dumble amplifiers. Spring: The British Invasion & The Stratocaster Guitar Player - Full Year 2018 Collection

The narrative shifted dramatically in the July and August issues. The "modeling revolution" finally moved from a niche curiosity to a mainstream necessity. Long-form interviews with players like and the rise of "bedroom shredders" on Instagram forced the magazine to address the Kemper and Fractal ecosystems. The collection captured a palpable tension between the "old guard" who demanded vacuum tubes and a new generation of players who were recording world-class albums on laptops. Fall: The Acoustic Renaissance and New Blood Toward the end of 2018, Guitar Player looked