The "Silence Squad" (dull men in grey suits) begins to pursue them. The video turns into a stylized, rhythmic chase sequence through narrow alleys and underground clubs. Every time the chorus hits— "Take my hand, let's go..." —the band appears in a new location: on top of a moving bus, in the middle of a strobe-lit ballroom, or inside a flickering TV shop.
In the neon-drenched, rain-slicked streets of a city that feels like 1974 trapped in a dream, are more than a band—they are the last purveyors of "The Groove." The "Silence Squad" (dull men in grey suits)
A mix of A Hard Day’s Night energy with the cinematic coolness of a Wes Anderson thriller. In the neon-drenched, rain-slicked streets of a city
One by one, the other band members intercept the pursuers not with violence, but with instruments . A drum fill from Simon knocks the suits off balance; a fuzzy guitar riff from Máté creates a literal wall of sound they can't cross. The chase ends at a massive, rusted radio tower
The chase ends at a massive, rusted radio tower. The girl hands Iván a golden vinyl record. He places it on a turntable at the top of the tower, and as the final solo rips through the air, a wave of color and sound explodes over the city, turning the grey sky into a sunset of deep purples and oranges. The Aesthetic
The video is shot on 16mm film to give it that gritty, authentic 70s rock-and-roll texture.