#JohnMcLaughlin #JazzFusion #LiveInParis #TheHeartOfThings #DennisChambers #GuitarLegend #VinylCollector

While it features staples from the studio album like "Seven Sisters" and "Fallen Angels," the live set includes the frantic "Mother Tongues" and the tribute track "Tony" (for Tony Williams), which aren't on the original studio record.

If you’re a fan of high-octane jazz-fusion, the recording (2000) from John McLaughlin’s "The Heart Of Things" era is essential viewing. Recorded at La Cigale in November 1998, this performance captures McLaughlin returning to the electric fire that defined his legendary Mahavishnu Orchestra days. Why this performance stands out:

Featuring "young monsters" like Matthew Garrison (bass) and Gary Thomas (sax/flute), alongside the powerhouse Dennis Chambers on drums.

The Heart of Things – John McLaughlin Review | All About Jazz

The PAL DVD version offers a front-row seat to the intricate interplay between McLaughlin and Chambers. If you’re looking for the definitive electric fusion experience of the late '90s, this is it.

John Mclaughlin The Heart Of Things Pal Dvd, Vi... Info

#JohnMcLaughlin #JazzFusion #LiveInParis #TheHeartOfThings #DennisChambers #GuitarLegend #VinylCollector

While it features staples from the studio album like "Seven Sisters" and "Fallen Angels," the live set includes the frantic "Mother Tongues" and the tribute track "Tony" (for Tony Williams), which aren't on the original studio record.

If you’re a fan of high-octane jazz-fusion, the recording (2000) from John McLaughlin’s "The Heart Of Things" era is essential viewing. Recorded at La Cigale in November 1998, this performance captures McLaughlin returning to the electric fire that defined his legendary Mahavishnu Orchestra days. Why this performance stands out:

Featuring "young monsters" like Matthew Garrison (bass) and Gary Thomas (sax/flute), alongside the powerhouse Dennis Chambers on drums.

The Heart of Things – John McLaughlin Review | All About Jazz

The PAL DVD version offers a front-row seat to the intricate interplay between McLaughlin and Chambers. If you’re looking for the definitive electric fusion experience of the late '90s, this is it.

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