Oss 117: Lost In Rio Image < PREMIUM · 2025 >

: To capture the feel of 1967, driving scenes use intentionally obvious rear projection , and camera movements are kept simple to avoid modern Steadicam or crane looks.

: Shot on 35mm film (Kodak Vision2) using an anamorphic process, it maintains a native 2.35:1 widescreen aspect ratio —a hallmarks of the "Scope" thrillers of that time. OSS 117: Lost in Rio image

: The visual language explicitly parodies Alfred Hitchcock —including a climax atop the Christ the Redeemer statue that riffs on North by Northwest and Vertigo . : To capture the feel of 1967, driving